Adult Worthy~
3.92 STARS from 107 GoodReaders
**Starred Review** Kirkus
**Starred Review** GoodBooksforKids
**Starred Review** GoodBooksforKids
THE RIVERMAN
was amazing. I received it as a review copy and I have to say that it's
one of the best books I read this year. And if I get a chance again in
my schedule, I'd love to read it again. It was that good!
BACKSTORY
BACKSTORY
It
all sounds rather sweet at first. There's a small town where children
bike in the summer and throw rocks and do the things that are
reminiscent of gentler times. But it all goes scary and scarier when a girl named
Fiona Loomis asks 12 year old Alistair Cleary to write her biography.
It's such a curious request that Alistair agrees. And that is how he discovers that there's a land called Aquavania and that Fiona and other children have been escaping there on-and-off for months. It's a wonderful place on the surface of it. A place to get away, where every imagining can come true. ONLY there's a problem. The Riverman. As Fiona spins the tale she tells of how the Riverman is stalking her -- threatening to suck her soul out with a straw.
The wonderful, wonderful part of this story is that like Alistair it's difficult to tell how 'disturbed' Fiona is. And thus we follow Alistair as he waits and watches and tries to find Fiona's real world threat. He's down to studying the relatives that Fiona lives with, when his own life becomes jeopardized.
So I LOVE, LOVE, LOVE THE RIVERMAN. It's a layered story that is very well written. The author captures the feel of growing up in a small town, and he draws the characters --good, bad, first- and second-string-- perfectly. Alistair and Fiona's relationship is realistic and charming. And perhaps most importantly, it's not clear what's real and what's fantasy --who or what the danger is.
Creepy enough for adults and young adults. It might be too intense for some middle-graders.
DEFINITELY RECOMMEND.
It's such a curious request that Alistair agrees. And that is how he discovers that there's a land called Aquavania and that Fiona and other children have been escaping there on-and-off for months. It's a wonderful place on the surface of it. A place to get away, where every imagining can come true. ONLY there's a problem. The Riverman. As Fiona spins the tale she tells of how the Riverman is stalking her -- threatening to suck her soul out with a straw.
The wonderful, wonderful part of this story is that like Alistair it's difficult to tell how 'disturbed' Fiona is. And thus we follow Alistair as he waits and watches and tries to find Fiona's real world threat. He's down to studying the relatives that Fiona lives with, when his own life becomes jeopardized.
So I LOVE, LOVE, LOVE THE RIVERMAN. It's a layered story that is very well written. The author captures the feel of growing up in a small town, and he draws the characters --good, bad, first- and second-string-- perfectly. Alistair and Fiona's relationship is realistic and charming. And perhaps most importantly, it's not clear what's real and what's fantasy --who or what the danger is.
Creepy enough for adults and young adults. It might be too intense for some middle-graders.
DEFINITELY RECOMMEND.
Pam~
THE RIVERMAN
by Aaron Starmer
Reading Information:
Page Count: 320
no Accelerated Reading information currently available
Lexile: 730L
--sample pages and reviews available
BEFORE
Every town has a lost child. Search the archives, ask the clergy.
You’ll find stories of runaways slipping out of windows in the dark,
never to be seen again. You’ll be told of custody battles gone ugly and
parents taking extreme measures. Occasionally you’ll read about kids
snatched from parking lots or on their walks home from school. Here
today, gone tomorrow. The pain is passed out and shared until the only
ones who remember are the only ones who ever really gave a damn.
Our town lost Luke Drake. By all accounts he was a normal
twelve-year-old kid who rode his bike and got into just enough trouble.
On a balmy autumn afternoon in 1979, he and his brother, Milo, were
patrolling the banks of the Oriskanny with their BB rifles when a grouse
fumbled out from some bushes. Milo shot the bird in the neck, and it
tried to fly but crashed into a riot of brambles near the water.
“I shot, you fetch,” Milo told Luke, and those words will probably
always kindle insomnia for Milo. Because in the act of fetching, Luke
slipped on a rock covered with wet leaves and fell into the river.
It had been a rainy autumn, and the river was swollen and
unpredictable. Even in drier times, it was a rough patch of water that
only fools dared navigate. Branch in hand, Milo chased the current along
the banks as far as he could, but soon his brother’s head bobbed out of
view, and no amount of shouting “Swim!” or “Fight!” could bring him
back.
Experts combed the river for at least fifteen miles downstream. No
luck. Luke Drake was declared missing on November 20, and after a few
weeks of extensive but fruitless searches, almost everyone assumed he
was dead, his body trapped and hidden beneath a log or taken by coyotes.
Perhaps his family still holds out hope that he will show up at their
doorstep one day, a healthy man with broad shoulders and an astounding
tale of amnesia.
I saw Luke’s body on November 22, 1979. Thanksgiving morning. I was
almost three years old, and we were visiting my uncle’s cabin near a
calm but deep bend in the Oriskanny, about seventeen miles downstream
from where Luke fell. I don’t remember why or how, but I snuck out of
the house alone before dawn and ended up sitting on a rock near the
water. All I remember is looking down and seeing a boy at the bottom of
the river. He was on his back, most of his body covered in red and brown
leaves. His eyes were open, looking up at me. One of his arms stuck out
from the murk. As the current moved, it guided his hand back and forth,
back and forth. It was like he was waving at me. It almost seemed as
though he was happy to see me.
My next memory is of rain and my dad picking me up and putting me over
his shoulder and carrying me back through the woods as I whispered to
him, “The boy is saying hello, the boy is saying hello.”
It takes a while to process memories like that, to know if they’re even
true. I never told anyone about what I saw because for so long it meant
something different. For so long it was just a boy saying hello, like
an acquaintance smiling at you in the grocery store. You don’t tell
people about that.
I was eleven when I finally put the pieces in their right places. I
read about Luke’s disappearance at the library while researching our
town’s bicentennial for a school paper. With a sheet of film loaded into
one of the microfiche readers, I was scanning through old newspapers,
all splotchy and purple on the display screen. I stopped dead on the
yearbook picture of Luke that had been featured on Missing posters. It
all came rushing back, like a long-forgotten yet instantly recognizable
scent.
My uncle had sold the cabin by then, but it was within biking distance
of my house, and I went out there the following Saturday and flipped
over stones and poked sticks in the water. I found nothing. I considered
telling someone, but my guilt prevented it. Besides, nine years had
passed. A lot of river had tumbled through those years.
The memory of Luke may very well be my first memory. Still, it’s not
like those soft and malleable recollections we all have from our early
years. It’s solid. I believe in it, as much as I believe in my memory of
a few minutes ago. Luke was our town’s lost child. I found him, if only
for a brief moment.
yes... it's as good as this.
yes... it's as good as this.
1 comment :
Great book! Little too upper tween for our Children's Room, but a brilliant read.
Post a Comment